Social History of Casein
The first semi-synthetic plastics
material, Parkesine, was based on cellulose
nitrate and was introduced at the London International
Exhibition of 1862. It was hailed as a new material, but
did not gain acceptance until the manufacturing process
was improved and it was re-introduced in imitation of
traditional, expensive materials such as ivory,
tortoiseshell and, later, fine linen for easily cleaned
collars and cuffs.
Casein plastic was introduced in
imitation of less exotic material - horn and semi-precious
stone. The trade association was known as the Artificial
Horn Manufacturers Association and it was not until
1938 that its name was changed to the Casein Plastic
Association.
Casein was first exhibited at the Paris
Exposition of 1900 under the trade name Galalith.
Much work was still required to make it a commercial
success, and Mr Carl Kunth (left) was the business man
behind this development. With the technical expertise of
Dr Bartels, the 'dry process' of casein manufacture was
introduced. This process became universally adopted and
is still used today, largely unchanged.
E. Petersen (left) had had a varied career which
had taken him across USA before returning to Germany as a
manager at Galalith. In 1914 he became Works Manager of
Erinoid in the UK, where he introduced the 'dry process'
of making casein plastics.
Erinoid casein was exhibited at the first
British Industries Fair in 1915. It was here that Queen
Mary first became acquainted with Erinoid and was so
impressed that she ordered several articles of casein
jewellery. Her interest in the material continued and the
picture (below) shows her ordering 'boudoir articles'
from the Myers stand at the 1930 British Industries Fair.
The plastics industry owes much to casein for
its pioneering efforts. In particular, it was very easy
to colour and also took a surface dye easily (it is a
protein, not dissimilar to wool). It was produced in a
wide range of beautiful colours and configurations, and
could be dyed, at short notice, to match fabrics for
buttons. These, and other items such as fountain pens,
were handled every day and accustomed people to accept
plastics in their own right rather than as imitations of
other materials.
Before World War II, Britain obtained
raw rennet casein mainly from Europe, but with the German
occupation of France, a new source was needed if button
manufacture was to continue. The British Government
encouraged the Casein Plastic Association to
urgently seek alternative supplies. They had obviously
learned the lesson of Napoleon's defeat when tin buttons
on his soldiers uniform crumbled in the intense cold of a
Russian winter.
Mr EO Weekes, of Erinoid in France,
went to Argentina to organise the production and supply
of rennet casein. After the war he reopened the Erinoid
factory in France and was promoted 'Officer de la Legion
d'Honeur' by the French Government for his work - a
decoration which he proudly wore. He then set about
improving rennet casein manufacture at dairies in New
Zealand and Australia. He wrote . . . . there can be
no doubt that casein is the king of materials for buttons.
No other material can approach it for beauty; for polish;
or for its silky, satisfying touch. A sufficient and
cheap supply of a standard high grade casein will solve
many of the plastic makers difficulties. He will be able
to offer his customers a regular, easily worked material
at a falling price on a market that is sure to rise for
all other materials used for buttons. It is with these
hopes that the writer sets off for the Antipodes.
About this time the fashion was for
pastel colours and the base colour of casein needed
improving. The Casein Plastic Association took
up this challenge and, assisted by Weekes experience, a
method for improving the purity of raw rennet casein was
patented by Erinoid in the 1950s. These patents were
taken up by the New Zealand dairies and resulted in a
casein of much improved clarity and colour.
Casein production continued hardly
changed throughout its history. Over the years, many
attempts have been made at modernising production,
particularly the formalisation process, but nothing
better could be found. In the end this proved its
downfall, and most casein manufactures had closed by
about 1980. Forthcoming regulations for the Control of
Substances Hazardous to Health would have meant
substantial investment to eliminate the open formalin
tanks and deal with effluent. There was a dwindling
market that did not justify the expenditure.
Fountain pens
manufactured from casein by Conway Stewart
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